Emner: Kunst, kultur, underholdning
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Cerith Wyn Evans, StarStarStar/Steer (Transphoton), 2019. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2026. Photo: Christian Øen.
- Lisens:
- Bruk i media
- Filformat:
- .jpg
- Opphavsrett:
- Courtesy the artist and White Cube, London
- Størrelse:
- 5304 x 7952, 11.5 MB
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Detail of P. Staff, Minimum World (Pages), 2025. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2026. Photo: Christian Øen.
- Lisens:
- Bruk i media
- Filformat:
- .jpg
- Opphavsrett:
- Courtesy the artists; Commonwealth and Council, Los Angeles; Galerie Sultana, Paris
- Størrelse:
- 5304 x 7952, 12.7 MB
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P. Staff, Penetration, 2025. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2026. Photo: Christian Øen.
- Lisens:
- Bruk i media
- Filformat:
- .jpg
- Opphavsrett:
- Courtesy the artists; Commonwealth and Council, Los Angeles; Galerie Sultana, Paris
- Størrelse:
- 7952 x 5304, 6.85 MB
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P. Staff, Minimum World, 2025. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2026. Photo: Christian Øen.
- Lisens:
- Bruk i media
- Filformat:
- .jpg
- Opphavsrett:
- Courtesy the artists; Commonwealth and Council, Los Angeles; Galerie Sultana, Paris
- Størrelse:
- 7952 x 5304, 20.2 MB
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Ann Lislegaard, Slamming the Front Door (after A Doll’s House by Henrik Ibsen), 2005. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2026. Photo: Christian Øen.
- Lisens:
- Bruk i media
- Filformat:
- .jpg
- Opphavsrett:
- Courtesy Museet for Samtidskunst, Roskilde
- Størrelse:
- 7952 x 5304, 13.1 MB
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Ann Lislegaard, Crystal World (after J.G. Ballard), 2006. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2026.
- Lisens:
- Bruk i media
- Filformat:
- .jpg
- Opphavsrett:
- Astrup Fearnley Collection, Oslo
- Størrelse:
- 7952 x 5304, 11 MB
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Cerith Wyn Evans, StarStarStar/Steer (Transphoton), 2019. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2026. Photo: Christian Øen.
- Lisens:
- Bruk i media
- Filformat:
- .jpg
- Opphavsrett:
- Courtesy the artist and White Cube, London
- Størrelse:
- 7952 x 5304, 15.6 MB
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Candice Lin and P. Staff, Hormonal Fog (Astrup Fearnley), 2026. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2026. Photo: Christian Øen.
- Lisens:
- Bruk i media
- Filformat:
- .jpg
- Opphavsrett:
- Courtesy the artists; Commonwealth and Council, Los Angeles; Galerie Sultana, Paris
- Størrelse:
- 7952 x 5304, 6.05 MB
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Cerith Wyn Evans, StarStarStar/Steer (Transphoton), 2019. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2026. Photo: Christian Øen.
- Lisens:
- Bruk i media
- Filformat:
- .jpg
- Opphavsrett:
- Courtesy the artist and White Cube, London
- Størrelse:
- 7952 x 5304, 16.6 MB
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View of the exhibition Cerith Wyn Evans - Forms in Space... through Light (in Time), MAAT, Lisbon, 2025. Photo by Bruno Lopes, courtesy of EDP Foundation.
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View of the exhibition Cerith Wyn Evans - Forms in Space... through Light (in Time), MAAT, Lisbon, 2025. Photo by Bruno Lopes, courtesy of EDP Foundation.
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Ann Lislegaard, Crystal World (after J.G. Ballard), 2006, exhibition view 27a. Bienal de São Paulo.
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Ann Lislegaard, Crystal World (after J.G. Ballard), 2006. Still.
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Ann Lislegaard, Crystal World (after J.G. Ballard), 2006. Still.
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P. Staff, Hormonal Fog (Kunstverein), 2025, exhibition view Bonner Kunstverein. Photo: Niklas Goldbach
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P. Staff, Minimum World, 2025, exhibition view Bonner Kunstverein. Photo: Niklas Goldbach.
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